The Third Dimension. On the Dichotomy Between Speech and Writing

This paper introduces a more complex and refined articulated view than the classic and simple dichotomy of linguistic production. According to the traditional doxa, what is linguistically articulated is either spoken or written. Forms of written language have previously been considered a secondary representation of spoken forms and, at least in the alphabetic system, the only properly linguistic form. I argue that there exists a third dimension of language, which is internal. This internal form is lexically, phonetically and grammatically articulated, without being spoken in a proper sense, but which can be seen as the pre-condition for both spoken and written production. In other words, linguistic production does not necessarily imply the presence of two interacting speakers (or writers/readers). Production can be seen as the simple effect of an internal activity, and can be described without reduction to spoken or written forms. A consideration of this third dimension in a systematic way could enrich and strengthen approaches to many types of texts and help to productively integrate the traditional schemes adopted in Sociolinguistics, Historical Linguistics, Philology, Literary Criticism, and Pragmatics.


INTRODUCTION Speech in Classical Linguistic Doctrine: Saussure
According to Saussure's Cours de linguistique générale (from here on CLG, 27 Saussure, 1967), the act of parole is an individual one, but is realized as the minimum requirement of two "people who are speaking": "Pour trouver dans l'ensemble du langage la sphère qui correspond à la langue, il faut se placer devant l'acte individuel qui permet de reconstituer le circuit de la parole. Cet acte suppose au moins deux individus; c'est le minimum exigible pour que le circuit soit complet. Soient donc deux personnes, A et B, qui s'entretiennent": Figure 1.
Thus, ideographic systems of writing directly represent the idea of words, and phonetic systems represent their sound (CLG 47 ss.). Consequently (alphabetic) writing is the representation of the sounds of words, which is manifested in the act of a closed circuit shown above, which assumes two interlocutors. According to Saussure, there exists a connection from a concept to an acoustic image, then to phonation, and finally in inverse order, from a reassociation of the sound to an acoustic image, and then back to the concept Figure 2.
The written dimension is subordinated, both ontogenetically and phylogenetically, with respect to speech (the latter is identified with language tout court, with an almost imperceptible but crucial deviation). One reads in the CLG 45: 'Langue et écriture sont deux systèmes de signes distincts; l'unique raison d'être du second est de représenter le premier; l'objet linguistique n'est pas défini par la combinaison du mot écrit et du mot parlé; ce dernier constitue à lui seul cet objet. Mais le mot écrit se mêle si intimement au mot parlé dont il est l'image, qu'il finit par usurper le rôle principal; on en vient à donner autant et plus d'importance à la représentation du signe vocal qu'à ce signe lui-même. C'est comme si l'on croyait que, pour connaître quelqu'un, il vaut mieux regarder sa photographie que son visage (CLG 45). ' Typical of pre-nineteenth century linguistics was the centrality of writing and written language. Twentieth-century linguistics, then, pushed writing to one side, focusing on the only other perceived dimension, speech. Bloomfield's famous statement (1935, p. 21) "Writing is not language" became necessarily integrated, in the American structuralist's perspective, with the notion that the spoken dimension is the only one which duly qualifies as language.
From CLG 45 one can read an entire history of twentiethcentury linguistics, which appears to have always taken for granted the dependence of written language on spoken language. This perspective is succinctly highlighted by Martinet, (1972), p. 70): "a graphic code exists, writing, but apart from this there is no other code: there is language", obviously referring to speech. There exists almost no twentieth-century treatize which does not define spoken and written language in terms of a dichotomy, and as being the primary (originally, only) and secondary (derived from the first) dimensions of linguistic activity respectively. And there is no work, even among the most recent and attentive studies to questions of the relationship between writing and speech, which does not tend to consider speech simply as the motor of innovation of writing, excluding interference or the role of any other dimension.
Ultimately, according to the model hypothesized by Saussure, spoken language is crucially super-individual. It presupposes at least two individuals, as discussed above. Alphabetic written language is simply a secondary (and often distorted) representation of spoken language, which constitutes the only object of linguistics properly understood (that is, the linguistics of langue, as per the explanation in CLG 38-39).

Twentieth-Century Criticism of the Dichotomy Between Speech and Writing
The dichotomy between speech and writing is discussed at several points during the 20th century. Strictly speaking, this dichotomy is not one of the greatest Saussurian dichotomies, given that Saussure does not theorize it with the same articulation with which he outlines other oppositions, such as those between Langue and Parole, or even Diachrony and Synchrony etc. One reason may be due to the fact that, from his point of view, the written dimension is simply external to the field of linguistics. Already from a structuralist perspective à la Hjelmslev (1966, pp. 131-32), in fact, we see how written and spoken language are not derived from each other, but are simply two manifestations of the same form. In this account, the priority for speech over writing had already been questioned-not from a historical point of view, but from an axiological and epistemological one.
Among the most important discussions, there has been some attempt to refine the sharpness of the boundary between the two fields, highlighting the elements of continuity and, in part, intersection. This is the case of the Koch-Österreicher (1990) model: to the simple distinction between written language vs. spoken language, the two German Romanists oppose a model based on the concepts of distance vs. closeness. These concepts allow, on the one hand, a further realization of the sociolinguistic aspect of situations devoid of writing, and on the other hand, allow us to frame those phenomena which are clearly mixed or hybrid.
The Koch-Österreicher model proposes a scale of distance (and of the quantity of interlocutors included by the single linguistic act) whose minimum value is in fact 1. The conditions of communication are identified, in the first instance, in the Grad der Öffentlichkeit («für den die Zahl der Rezipienten-vom Zweiengespräch bis zum hin zur Massenkommunikation», Koch-Österreicher 2011, p. 7, Italics mine). In short, as in the Saussurian model, there does not appear to be an inferior degree with respect to communication when two are present.
Linguistics in the late 20th century elaborated the concept of diamesic variation (a term invented by Mioni 1983, extending a series of analogous categories from Coseriu). But it struggled to demonstrate that there exist various "intermediate" positions between these two poles. Apparently, the poles are not united (as instead occurs for similar polarities, such as the classic dimensions of sociolinguistic variation).
A further contribution to overcoming the exclusive and rigid dichotomy between writing and speech was provided by the twentieth-century development of studies on sign language (SL). It is thanks to this line of research and the continued appreciation of SL as an alternative channel to spoken and written language, that traditional expressions such as "spoken or written language" are often substituted with other ones. In recent studies, a trinomial "spoken, signed or written language" (for example, as recently as in Haspelmath 2020, p. 2) has entered the literature. In short, one finds an all-encompassing category of verbal language in addition to the traditional dichotomy of spoken/written language. This category synthesizes, rather than supersedes, the old contraposition (notwithstanding the distinct nature of signed languages, which can be acquired spontaneously, with respect to writing, and which are the fruit of cultural transmission and learning).
In sum, twentieth-century linguistics approaches the polarities of written vs. spoken language both in a theoretical perspective as well as in a specifically sociolinguistic perspective. Linguistics aimed to overcome this conception as an exclusive dichotomy, placing greater emphasis on those elements of continuity which overlap. This approach was favored also by the emergence of new methodologies of communication. A further contribution to superseding the written/spoken duality was provided by research on sign language: dealing, as it does, with phenomena that cannot be reduced to either category, nor to either one of the polarities.

The Internal Text of G. R. Cardona
Among the few contributions which properly highlighted the linguistic question posed by an internal text, and taking inspiration from both literary and non-literary texts, is the work of Giorgio Raimondo Cardona, (1986, reprinted Cardona, 1990. Published 2 years before his unexpected and premature death, the article deals with "mental text" as an indispensable premise for the production of any oral, but especially written, text. Let us consider in particular one of the crucial passages of Cardona's essay: "There is no analytic thread (whatever its itinerary may be) that can be exempt from choosing internal discourse as a point of departure: apart from some cases of automatic writing or trance or similar, no external communicative activity can be disregarded from endophasic, mental and communicative discourse". Cardona, (1986) begins from an examination of the literary manifestations of internal speech, bringing to light suggestions from the field of semiotics (and particularly from Lotman et al., 1975). He focuses on criticism from genetics and on twentiethcentury variationist linguistics, before moving to what he considers a particular type of text, understood as a preparatory and evolving phase that precedes the development in written form, but also its spoken realization. In this way, "the various genres, written and spoken, open up into a natural typology, widening to become waves from the nucleus of internal discourse".
Another fundamental passage from Cardona consists in recognizing internal discourse (or "interior text") as the essential absence of a pragmatic dimension, beyond an extreme simplification of syntax ("in one's thought for oneself, the combination can be reduced to its minimum, the mental nuclei find their minimal linguistic expression. It can, at times, be substituted or integrated by images, as per the manuscripts of Leonardo da Vinci"). Cardona's examples usefully extend to textual and typological instances that are quite varied.
Cardona's gifted intuition has been recognized by Italian studies of general linguistics, by history of the Italian language, and literary criticism, which occasionally quote him (among the most important studies, see D'Achille 1990: 18, who dedicates a note to him). But it has never been explored in full and, in fact, it has not led to any substantial new analysis in the general study of written and spoken language. Significant, for example, is the absence of any reference to him in the best work of German Romance studies in the new century, from Kabatek (2000) to the second edition of Koch-Österreicher (2011). Furthermore, Cardona's work does not appear to have been recognized even by contemporary French linguistics, which has, on several occasions, returned to the notions of langage and parole intérieur(e). This includes within the traditional studies of psychology, which we will take up below (exemplary in this regard is Bergounioux 2001). In terms of Italian linguistics, which has always been attentive to the social dimension of language and its recent evolution, historians of the Italian language have concentrated mainly on the opposition between spoken and written speech (see, for example, the studies following the work of Giovanni Nencioni, later published in Nencioni 1983). Up until now, Cardona's work has mainly influenced the realm of literature (for example, Bologna 1993).

The Perspective From Generative Linguistics
Linguistics in the past few decades has opened up a debate with particular vigor, especially in the field of studies on the origin of language and its biological foundations, which can be summarily characterized by the following two extremes: 1) language is studied primarily as an instrument of communication; 2) language is studied primarily as a form of organization of thought.
Generative grammar resolutely derives from 2) within a theory of externalization. This theory identifies the human specificity of language in its internal, computational (syntactic) capacity (that is, in what Chomsky calls internal language, I-language) and not in the interaction between it and the materiality of phonation. As for the executive function of neurons, the human species shares this aspect with various other animals (hence the computationalsyntactic capacity is exclusive of homo, cf. for example Berwick, 2013). Generally speaking, only syntactic characteristics are assigned to I-language, dealing as it does with a computational system, that is, with the product of a mental apparatus.
In a partially complementary position, a recent string of neurolinguistic studies (for example, the various works by A. Moro and others, cf. Magrassi et al., 2015a) has made it possible to observe the cerebral traces of the mental representation of words with the tools from clinical observation. These observations occur not just during the listening phase, but also in the phase of production. In particular, they are visible in those areas of the encephalon that are crucially non acoustic, such as the Broca area. This has highlighted the many affinities between spoken language and "thought language": the latter showing a great number of elements in common with the former, and thus comprising something similar to what Saussure had already called the acoustic image of words. In short, to summarize with an efficient phrase from Moro, (2016), p. 89: "when we think without speaking, we are putting the sounds of words in our thoughts".
One consequence of the theories and of the hypotheses (even though partially divergent) of what we have just said, is that recent linguistics has made it possible to ascertain a certain finding of linguistic dimension preceding phonation, but still within the domain of linguistics. This is due to the fact that we are dealing not only with syntactic structure, which must be considered the specific nucleus of the very faculty of language, but also of a phonetic and phonic consistency at the level of the neural networks. It is, therefore, a recognition in terms of the language(s) involved. In other words, we do not only think linguistically but (at least in certain situations), rather in a very well defined language.
Therefore, not only does language have a foremost interior dimension, if it is understood as the disposition of a computational system with a mainly syntactic nature. It also has a further dimension, still internal, but to which we can add the application of universal syntactic parameters as well as characteristics that are already fully recognizable as single languages. There exists, that is, a form of thought which is already proprerly articulated (and is even formed with features of a single language). At the same time, it is independent from an external, phonic expression in the same language, with which it also maintains strong relations even at the level of activation of neural networks linked to hearing.

The Perspective From Textual Criticism and Philology
The existence of forms of linguistic production that are independent both from acts of phonation, and from writing, has always been known in an intuitive sense. Nevertheless, the received wisdom has tendentially merged or even confused the mental articulation of language with the dimensions of speech or writing. This appears to be the case with metaphors of daily language such as "I said to myself" (in order to introduce the content of a thought that is not truly "said", but simply "thought"), or "I made a mental note". Therefore, mental content exists that is linguistically articulated but which is neither "said" nor "written" in the true sense of these two words.
Even literary production has always considered the purely internal dimension of language, and not in a written or spoken sense. Literary works have given conventional representations which, once again, are mainly anchored in the traditional forms of dialogic speech: the form of an (interior) monologue assumes, in an earlier literary tradition, elements such as allocution to oneself (such as those of epic or tragic heroes, as well as lyricists of Antiquity). These elements represent the endophasic dimension as a variation of speech in which two interlocutors coincide.
More recent forms of literary representation (for example, the twentieth-century stream of consciousness) have allowed an attempt to give an autonomous and more "realistic" representation of such phenomena to emerge. In recent years, French stylistique has deepened the literary reflexes of the late nineteenth-century psychological debate (especially in France, as detailed below) on langage intérieur (for example, Rabatel 2001, Martin-Achard 2016, Dujardin 1931, Pettenati 1961. The indepth analyses of literary criticism are numerous in these fields (for example, Philippe 2001; see above for G. R. Cardona's particular linguistic view on variationist linguistics).
In fact, the (at least) partially autonomous nature of the articulation of internal language appears to have slipped away attention from its spoken form. This does not mean they are completely separated from it. Little attention has been given to the fact that the same act of writing (autonomous or as a form of copying) assumes a formalized pre-elaboration of content which is not spoken at all, but only thought.
In recent times, before the neurolinguistic studies discussed above, even a particular phenomenon such as transference-via copying-of a written text to another written text has been studied within philology. Indeed, philology has considered phenomena such as the so-called internal dictation in a profound way during the course of the 20th century (see the fundamental studies by Alphonse Dain (1975); on "internal pronunciation", and cf. also Avalle's considerations 1972, p. 34). Philology has identified a great number of indices which refer us back to a form of "listening" and internal "repetition" (in an acoustic sense) of a graphic sequence that is looked at during the first act of copying, and then transcribed in the second. Most copying errors that are ascribable to defects of internal dictation can be traced, in fact, to the acoustic nature of such repetitions. These errors, nevertheless, do not assume any sound if only that "of thought", to return to Moro's expression.

The Perspective From Psychology
The category of internal language was investigated in the fields of psychology and medicine before linguistics. The research conducted by Victor Egger (1881), Egger (1904) and by Georges Saint-Paul (1892), Saint-Paul (1904), Saint-Paul (1912) during the last twenty years of the 19th century, has a seminal value. Partly adopting contrasting perspectives, they proposed establishing a typological classification of the forms of endophasy, bringing attention to the faculty of hearing, as well as visual and verbal-kinetic aspects of the internal representation of language. Until then, these aspects were not able to be investigated simply through introspection (Egger) or interrogation of witnesses (Saint-Paul). The latter originally used a questionnaire which was also distributed among writers; for a historiographical overview of this debate, see Carroy 2001. As is general for other aspects of linguistics, the approach that is based on the study of child language acquisition has allowed us to untangle that which appears difficult to ascertain in adults. According to Lev Vygotsky (1966), whose theory on the formation of internal language is widely accepted, language in the child has a function for social interaction with people in immediate surrounding. Then an egocentric phase from which socialized and internal language derive.
In this particular area, Vygotsky's model is accepted in substance by Jean Piaget, while reinterpreting the Vygotskian theory. Despite some cases of divergence on specific points, even the theoretician of genetic psychology agrees with the hypothesis that egocentric child language is the point of departure for the development of internal language. This phase is found during a successive stage of development, and is parallel to the formation of "socialized" language (it does not follow it, therefore, and is not derived from it either).
To the general category of internal language can be traced, in the adult, both endophasy (which does not assume any phonation), as well as solitary speech, which represents a sort of medial point between the proper dimension of internal language and the typical dimension of speech in the presence of an interlocutor.
Despite the debates outlined above in the field of psychology, a conspicuous part of general linguistics has continued (more or less) to explicitly reduce internal language to a simplified form of dialogue, in which two interlocutors coincide, through a sort of duplication of the subject into two interlocutors. In fact, this is the point of view, for example, that Benveniste, (1974), p. 85 adopts in considering monologues: "le monologue procède bien de l'énonciation. Il doitêtre posé, malgré l'apparence, comme une variété du dialogue, structure fondamentale". The example is valid also in showing a much broader tendency as well.

Writing, Speech, Thought
In reality, it is obvious that most linguistic production however it is understood occurs outside the domains of speech and writing. Most content that is articulated in a linguistic way (and, as we have said, this includes also mental content, in every sense) happens in thought, and precedes-literally-any form of external expression, spoken or written.
The way in which language is articulated internally is still largely unattainable. This explains the reason why its perception has always turned out to be fleeting, and its nature confused with other forms. If this is the case, the same relationship between spoken language and written language has been read in a completely different way from other graphical cultures (for example, Chinese, on which see the recent paper by Banfi 2020). This relationship has been consistently characterized by a tradition that adopts graphemes of a phonetic nature, and in a modern way.
The fact that "thought" language is attainable only in a difficult way, and describable only in specific forms, does not mean that it does not exist, however. The recent findings from neurolinguistics (which have created the possibility of tracing the recognition of syntactic structures independent from sound in the brain, as Moro et al., (2020) have recently done) open up interesting perspectives on the concrete attainability of the thought dimension of language. But even other elements may be involved, in the same sense.
On the other hand, even the spoken dimension of language (obviously much more relevant than written language) has long been neglected, since it is more difficult to obtain with respect to written language. Today, speech can be observed in various forms-that is, one can not only transcribe, but also record. This means that it has been considered as an autonomous subject.
Describing the study of the thought dimension, even in linguistic studies, could have further consequences for the way in which the two tangible dimensions of writing and speech are evaluated. We know that these dimensions influence each other. Koch and Österreicher have produced the most refined model, perhaps, to describe such reciprocal influence. But we do not know exactly what the relationship between them and the third dimension is.

Models
The representation of the relationship that has traditionally been conceived between speech and writing can therefore be summarized in a simple dependency of one on the other: SPEECH (language proper). ↓ Writing.
(conventional representation of speech, «non language») The model proposed by Koch-Österreicher energizes and complicates such a representation, while maintaining an eminently communicative vision of language, shifting the focus toward the notions of Distance and Conception: Figure 3. Cardona (1986) adopts an even broader and more articulated perspective, producing a model that is formally similar to those that were being elaborated contemporaneously in various subdisciplines of sociolinguistics (e.x., the well-known Berruto, 1987 model for contemporary Italian): Figure 4.
The direction which Cardona had already invited us to consider, and which the combined perspectives of twentiethcentury psychology and recent neurolinguistics appear to endorse, is that of an even more decisive integration of the internal dimension in the study of language and languages. The consideration of thought language appears to be inevitably presupposed to the study of every manifestation-spoken and written-of language itself. One can attempt to supersede, in this way, the traditional, hierarchical vision which subordinates speech to writing on both of the traditionally identified dimensions. Both appear to be subjected, and equally so, to the overriding internal elaboration of language.
In this sense, the persistent idea loses some force that speech should take on a priority role in both the description and the realization of language. Speech is, certainly, the most direct and immediate projection of thought, but perhaps not the necessary cause of every manifestation of writing. Rather, in many cases it continues from thought in a much more plausible way. Naturally, this does not prevent the idea that the conception (in the sense intended by Koch-Österreicher) of text can bring the dimensions of speech and writing into communication. In the views which we have summarized here, they do not necessarily seem to be in a relationship of direct derivation: Figure 5.
In this model, the different length of the sides of the triangle refer to the diverse nature of spoken forms, as is natural, with respect to written forms, which are cultural and obviously negotiated. A possible representation of what is signed in this model would lead to a further derivation from thought which, in turn, would be independent from speech.

Possible Prospects: Outside Literature
Among the consequences of a possible autonomous recognition of the thought dimension of language, distinct from both speech and writing, is the question of overcoming an automatic act which appears to be reasonably widespread. This act derives from the consideration of written language as a simple reflection of speech. If what Saussure had already observed concerning alphabetic writing is irrefutable (that is, that writing reproduces more or less efficiently the phonic substance of words), then it is also true that a certain tendency can be observed to attribute the least characteristic or marginal facts of written language to a pure and simple influence of speech. In the elaboration of writing, thought generally appears much more decisive than speech proper.
In reality, there are various forms of written production that are difficult to interpret as representations of corresponding forms of speech. At the most simple level, what is obvious in forms of elementary text (the oldest attested forms in the development of writing) such as lists, notes, or annotations written down from memory, the writer does not address others but rather him or herself. Nor does the author intend to be comprehended by people other than themselves. It will be useful to recall that among the earliest manifestations of writing throughout history, we find functional texts that are not intended for interpersonal communication, nor for the reproduction of spoken discourse, but rather computational ones. In other words, numbers are born well before letters and "the code of abstract ideas, in particular the numerical code, seems to have performed an essential role from the first stages in the appearance of writing, and perhaps in the very idea that concepts can be written down" (Deahaene 2009, p. 211).
In general, a large part of so-called "semi learned" texts, which have been the object of linguistic enquiry for just a short time, present a linguistic phenomenology that is perhaps inappropriately described as being influenced by speech. A much more persuasive explanation of its various phenomena is provided by referring to the dimensions of thought, rather than to speech. Cardona (1986, p. 80) has also investigated this aspect of language. With respect to the category of 'semi learned' persons, he alludes to the modality of "writing down in real time one's own mental discourse which is first and foremost-due to a lack of other models-an oral discourse". But the priority of oral discourse appears dominant here too, when it appears necessary to shift toward a description of the syntax of thought in an analogous way that, for the syntax of speech, has allowed us to reread and re-interpret such phenomena of written production coherently (as well as programmatic, in this sense, see Sabatini 1990).
Therefore, it can be useful to reconsider in a systematic way the elements which in non-literary writing (and particularly in less attentive writing) have traditionally been considered as reflexes of spoken language. One may ask whether these elements should not be removed from that dimension, and restored to the proper category of internal language. To quote one of the clearest and most recent formulations, it is a common opinion that "semi learned writing is characterized by an integral and large adoption of spoken structures" (Testa 2014, p. 107). But semi learned writing also includes the modality that Trifone 1986 has aptly described as being "writing for oneself". Whether this type of writing simply integrates elements and styles of spoken language is a partially equivocal notion. It is created by a lack of features, made up of traits that are external to spoken language, and includes elements both of speech proper and elements of thought. Diaries, notes, jottings made out of necessity or from memory: those who write for themselves (and more so if the writer is semi learned) do not necessarily rely on speech, but more likely draw on the most immediate form of their linguistic production: thought.

Possible Prospects: Literary Production
Some elements of thought language have been highlighted by criticism and literary theory. But in terms of linguistic studies applied to literary texts, there seems to remain a certain reluctance to consider the relationship between internal language and literary language.
We have often borne witness to an appreciation of the literary reproduction of speech. In other words, the mimetic capacity of some literary production (especially in prose) reproduces phenomena in written form that are (or would be) unique to orality. This is one line of research that has been very productive, and which has the merit of clearly distinguishing between that which pertains to the written dimension (studied longer and in a deeper way) from that which does not pertain to it. In a certain sense, it is as if the term "speech" has long indicated simply "that which is not written", or whatever is different from writing.  Cardona (1986). Among literary texts that best lend themselves to an indirect investigation of the typical characteristics of thought language, we find also poetic texts (especially lyrical ones), in which the subject, at the center of the discourse, does not seem to have any interlocutor. These texts can be placed alongside prose, discussed above on the flow of conscious and internal monologue.
Economy of syntax, omissions of references to context, advances of the text free from association of ideas without explanations, and a centering of the ego: these are just some of the elements which distinguish a part of poetic production-particularly modern poetry-from more traditional forms of poetic discourse, founded above all on the adoption of canonical verse and metrics. A conspicuous part of modern poetry seems to distinguish itself from prose above all for its privileged link, even if implicit, with the internal dimension of language, that is with thought language.
In this way, some stylistic traits unique to poetry-especially recent poetry-can be explained in an even more persuasive way if one attempts to describe them as outcomes just in terms of thought language. These forms have been typically characterized as an implausible reproduction of speech. This is a parallel, but distinct, step with respect to what we have said above in terms of non-literary writing. In both cases, it is a question of overcoming the almost seamless, and unwarranted, process of assigning phenomena that occur in certain forms of written language only in a marginal and peculiar way to an implausible flow of speech.
In conclusion, the intersection between literary writing and thought language deserves to be explored more attentively, with tools appropriate to linguistics. The noteworthy study of tracing reproducible elements, more or less consciously, of speech in literary texts could also be applied in identifying elements of thought language in literary writing proper. In modern poetry, the ongoing relaxation of the canonical, formal requirements seem to be compensated by an ever stronger relationship between poetry and thought language, whose syntactic, textual, and pragmatic points deserve further definition and articulation.

DATA AVAILABILITY STATEMENT
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