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ORIGINAL RESEARCH article

Front. Neurosci.

Sec. Visual Neuroscience

Volume 19 - 2025 | doi: 10.3389/fnins.2025.1516070

This article is part of the Research TopicAt the Borders of Movement, Art, and NeurosciencesView all 6 articles

An fMRI Study of Crossmodal Emotional Congruency and the Role of Semantic content in the aesthetic appreciation of Naturalistic Art

Provisionally accepted
Funda  YILMAZFunda YILMAZ1*Tessa M.  van LeeuwenTessa M. van Leeuwen1,2Umut  GüçlüUmut Güçlü1Yağmur  GüçlütürkYağmur Güçlütürk1Rob  Van LierRob Van Lier1
  • 1Donders Institute for Brain, Cognition and Behaviour, Radboud University, Nijmegen, Netherlands
  • 2Department of Communication and Cognition, Tilburg School of Humanities and Digital Sciences, Tilburg University, the Netherlands, Tilburg, Netherlands

The final, formatted version of the article will be published soon.

Numerous studies have explored crossmodal correspondences, yet have so far lacked insight into how crossmodal correspondences influence audiovisual emotional integration and aesthetic beauty. Our study investigated the behavioral and neural underpinnings of audiovisual emotional congruency in art perception. Participants viewed 'happy' or 'sad' paintings in an unimodal (visual) condition or paired with congruent or incongruent music (crossmodal condition). In the crossmodal condition, the music could be emotionally congruent (e.g., happy painting, happy music) or incongruent with the painting (e.g., happy painting, sad music). We also created Fourier Scrambled versions of each painting to test for the influence of semantics. We tested 21 participants with fMRI while they rated the presentations. Beauty ratings did not differ for unimodal and crossmodal presentations (when aggregating across incongruent and congruent crossmodal presentations). We found that crossmodal conditions activated sensory and emotion-processing areas. When zooming in on the crossmodal conditions, the results revealed that emotional congruency between the visual and auditory information resulted in higher beauty ratings than incongruent pairs. Furthermore, semantic information enhanced beauty ratings in congruent trials, which elicited distinct activations in related sensory areas, emotion-processing areas, and frontal areas for cognitive processing. The significant interaction effect for Congruency × Semantics, controlling for low-level features like color and brightness, observed in the behavioral results was further revealed in the fMRI findings, which showed heightened activation in the ventral stream and emotion-related areas for the congruent conditions. This demonstrates that emotional congruency not only increased beauty ratings but also increased the in-depth processing of the paintings. For incongruent versus congruent comparisons, the results suggest that a frontoparietal network and caudate may be involved in emotional incongruency. Our study reveals specific neural mechanisms, like ventral stream activation, that connect emotional congruency with aesthetic judgments in crossmodal experiences. This study contributes to the fields of art perception, neuroaesthetics, and audiovisual affective integration by using naturalistic art stimuli in combination with behavioral and fMRI analyses.

Keywords: audiovisual, emotion, Art, aesthetics, beauty ratings, fMRI, multisensory integration

Received: 23 Oct 2024; Accepted: 20 Jun 2025.

Copyright: © 2025 YILMAZ, van Leeuwen, Güçlü, Güçlütürk and Van Lier. This is an open-access article distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction in other forums is permitted, provided the original author(s) or licensor are credited and that the original publication in this journal is cited, in accordance with accepted academic practice. No use, distribution or reproduction is permitted which does not comply with these terms.

* Correspondence: Funda YILMAZ, Donders Institute for Brain, Cognition and Behaviour, Radboud University, Nijmegen, Netherlands

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