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ORIGINAL RESEARCH article

Front. Neurosci.

Sec. Auditory Cognitive Neuroscience

Volume 19 - 2025 | doi: 10.3389/fnins.2025.1625403

Harmonic Vowels and Neural Dynamics: MEG Evidence for Auditory Resonance Integration in Singing

Provisionally accepted
  • 1Department of Neurology, Heidelberg University, Heidelberg, Germany
  • 2School of Overtone Singing, Dürrwangen, Germany, Dürrwangen, Germany
  • 3Music Psychology and Brain Research Section, Department of Psychology, University of Graz, Graz, Austria, Graz, Austria

The final, formatted version of the article will be published soon.

Auditory perception of sung syllables involves rapid shifts between speech-like interpretation and spectral awareness of resonance. Perceiving vocal tract resonances as pitch-like elements may be crucial for singers, linking this concept to pedagogical practice and underlying neural mechanisms.This study examines how vowel resonance becomes accessible to conscious processing and how such perceptual shifts are reflected in neural dynamics. Drawing on a novel acoustic-phonetic model of "harmonic vowels," we presented sung syllables that varied systematically across six distinct conditions, ranging from speech-like utterances to overtone singing. Magnetoencephalographic (MEG) recordings from 17 participants revealed distinct modulations in cortical oscillatory activity.Theta-band power (4-7 Hz) increased linearly with decreasing speech content and showed strong right-hemispheric lateralization (partial η² = 0.82), indicating a key role in the cortical representation of spectral content. Gamma-band power (30-60 Hz) declined moderately and was left-lateralized. These findings show that vowel resonance is perceptually accessible and subject to rapid auditory reorientation, reflecting neural flexibility that may underlie auditory plasticity in both trained and untrained listeners. Individual differences in pitch perception mode (fundamental vs. overtonebased), indicating a stable perceptual trait, were also systematically reflected in oscillatory patterns: overtone listeners exhibited higher theta power, lower gamma power, and stronger right-hemispheric lateralization in both bands. Theta and gamma power were inversely correlated, suggesting complementary functions in detail-oriented spectral representations and global feature binding. The results offer novel implications for vocal pedagogy, auditory training, and sound-based therapeutic applications.

Keywords: Wolfgang Saus, Freelance scientist, musician and singing teacher vowel resonance, auditory flexibility, theta oscillations, gamma oscillations, overtone perception, pitch perception mode

Received: 08 May 2025; Accepted: 24 Jul 2025.

Copyright: © 2025 Saus, Seither-Preisler and Schneider. This is an open-access article distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction in other forums is permitted, provided the original author(s) or licensor are credited and that the original publication in this journal is cited, in accordance with accepted academic practice. No use, distribution or reproduction is permitted which does not comply with these terms.

* Correspondence:
Wolfgang Saus, Department of Neurology, Heidelberg University, Heidelberg, 69120, Germany
Peter Schneider, Department of Neurology, Heidelberg University, Heidelberg, 69120, Germany

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