ORIGINAL RESEARCH article

Front. Public Health

Sec. Public Mental Health

Volume 13 - 2025 | doi: 10.3389/fpubh.2025.1594846

This article is part of the Research TopicThe Intersection of Psychology, Healthy Behaviors, and its OutcomesView all 105 articles

Good Arts, Good Mental Health ® : The effectiveness of an Australian health promotion media campaign in promoting community mental wellbeing via the arts

Provisionally accepted
  • 1Centre for Arts, Mental Health and Wellbeing WA. School of Allied Health & School of Humanities, The University of Western Australia, Crawley, Western Australia, Australia
  • 2School of Allied Health, University of Western Australia, Perth, Western Australia, Australia
  • 3UniSA Allied Health and Human Performance, University of South Australia, Adelaide, South Australia, Australia
  • 4Public Health Advocacy Institute, Curtin University, Bentley, Australia
  • 5School of Education, College of Health and Education. Murdoch University, Murdoch, Australia
  • 6Centre of Neurodevelopmental Disorders, School of Allied Health, Curtin University, Bentley, Australia
  • 7School of Arts and Humanities, Edith Cowan University, Joondalup, Western Australia, Australia
  • 8Sidney De Haan Research Centre for Arts and Health, Canterbury Christ Church University, Newcastle upon Tyne, United Kingdom

The final, formatted version of the article will be published soon.

Introduction: This paper describes and evaluates Good Arts, Good Mental Health® (GAGMH), a groundbreaking, population-level, arts-mental health promotion media campaign. The objectives of the campaign (Wave 1) were to increase brand awareness, comprehension, and agreement with the tagline Good Arts, Good Mental Health®, and empower the general population to form an intention to engage in the Arts for their mental wellbeing.Methods: The campaign ran from August to September 2024 (4-weeks), cost AUD$198,965 (23% creative, 77% media/advertising distribution), and targeted the Western Australian (WA) general population aged 18-65 years, all genders, metropolitan and regional areas. The campaign was distributed through a variety of platforms, channels, visual, audio, and static assets. To gauge the success of the campaign, a process evaluation and (short-term) outcome evaluation were conducted by sourcing online analytics and conducting an online survey of the campaign target group (n=661).Results: Overall, campaign reach and frequency were optimal and met set targets. Campaign website engagement substantially increased from baseline (7505 to 53,810 events one-month after the campaign). Advertising cost-per-reach was effective and ranged from $0 for free/organic media to $0.10 for radio. For paid media channels, the highest reach (948,106 people) and best cost-per-reach ($0.02) was delivered by Meta (Facebook, Instagram).Measured as both (1) a proportion of total respondents, and (2) as a sub-set analysis of each preceding level in the cognitive impact hierarchy, post-campaign, one-in-four respondents were aware of Good Arts, Good Mental Health®. This is comparatively high for a new tagline and health campaign without TV advertising. Overall, comprehension was satisfactory. Agreement and intention to act on the message were high, and double that of comparison WA health promotion campaigns.Discussion: Study findings indicate the GAGMH campaign was successful. If funded, future waves of the campaign could build on Wave 1 to reinforce message awareness, increase understanding of GAGMH concepts, focus more on the arts-mental health dose, and extend the outcome evaluation by measuring behavioural action. The information contained in this paper is useful to Public Health, Mental Health and Arts-Health professionals in the planning, implementation, and evaluation of future arts-mental health promotion strategies and campaigns.

Keywords: Health Promotion, Mental Health, Arts, campaign, Good Arts Good Mental Health, Dose

Received: 17 Mar 2025; Accepted: 29 May 2025.

Copyright: © 2025 Davies, Pescud, Clifford, McGrath, Thomson, Jeffrey, Stoneham, Pikora, Wright, Girdler, Baldassar and Clift. This is an open-access article distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction in other forums is permitted, provided the original author(s) or licensor are credited and that the original publication in this journal is cited, in accordance with accepted academic practice. No use, distribution or reproduction is permitted which does not comply with these terms.

* Correspondence: Christina R Davies, Centre for Arts, Mental Health and Wellbeing WA. School of Allied Health & School of Humanities, The University of Western Australia, Crawley, Western Australia, Australia

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