Injury as a stressor in 67 first year contemporary dance students: A longitudinal cohort study

Judith-Elisa Kaufmann^1*Janine H Stubbe²Rogier M Van Rijn²Rob G H H Nelissen¹Maaike G J Gademan¹

• ¹Leiden University Medical Center (LUMC), Leiden, Netherlands
• ²Codarts Rotterdam, Rotterdam, South Holland, Netherlands

In athletes, injuries lead to increased stress but athletes cope better with subsequent consecutive than with first-time-injury. In dancers such information is lacking. Thus, we investigated whether injuries are associated with increased stress-levels, and if subsequent consecutive injuries are related toassociated with higher perceived stress levels than first injury. Bachelor dance students were prospectively followed during five academic years (2016-2022). During the first month of the year, respectively, baseline characteristics were recorded using the "Performing artist and Athlete Health Monitor" (PAHM) including the VAS pain scale, the VAS stress scale, and the "Oslo Sport Trauma Research Centre Questionnaire on Health Problems" (OSTRC). Throughout the year, stress, injuries and injury severity were reported monthly. The first-month assessment served as baseline in which dancers had to be injury free to be included in this analysis. Paired t-tests were conducted. 67 dancers (age 18.8 ±.8 years, 58.2% female) sustained at least one injury, of those 33 at least one subsequent consecutive injury. OSTRC severity scores ranged from a mean of 28.7 ±17.5 for first injuries to 31.4 ±17.1 for subsequent consecutive injuries. The mean baseline stress level for injuries was 24.3 ±17.2. Stress levels during first and subsequent consecutive injuries were elevated compared to the baseline stress levels, 34.8 ± 18.7 and 35.1 ±23.0, respectively. There were no differences between stress levels during first and subsequent consecutive injuries. Injuries are associated with increased stress levels in dancers, but stress levels were equally high after first and subsequent consecutive injury. We emphasize the importance of a holistic approach to injury rehabilitation, thus not only focusing on the physiological injury as such, but also include the dancers' psychological recovery and a focus on stress management for both enhanced recovery as well as prevention of future injuries.