BRIEF RESEARCH REPORT article

Front. Psychol.

Sec. Performance Science

Volume 16 - 2025 | doi: 10.3389/fpsyg.2025.1544059

This article is part of the Research TopicWomen in Performance ScienceView all 7 articles

Past social support influences pre-performance self-confidence and performance quality among student musicians

Provisionally accepted
  • 1National Institute of Advanced Industrial Science and Technology (AIST), Tokyo, Japan
  • 2Tokyo Gakugei University, Koganei, Tōkyō, Japan

The final, formatted version of the article will be published soon.

Music performance anxiety (MPA) is a serious and prevalent problem among student musicians. Although previous studies have indicated the importance of social support from parents and teachers in the management of MPA, it remains unknown whether past social support influences preperformance mental states and performance quality among student musicians. To address this, we asked 56 university-level music students to complete social support scales by recalling the social support they had received from their parents and a past music teacher before university enrollment, in addition to the social support they were receiving from a current music teacher. The students also recalled their most important public performance in the past six months, and they completed the Revised Competitive State Anxiety Inventory-2 and a performance evaluation scale. The results showed that social support from the past teacher positively predicted pre-performance selfconfidence and performance quality. By contrast, social support from the current teacher positively predicted only performance quality and not pre-performance self-confidence. These findings highlight the differential roles of music teachers at different developmental stages of student musicians. Social support received from teachers by middle adolescence may be crucial for enhancing pre-performance self-confidence among student musicians.

Keywords: music performance anxiety, stage fright, social support, music education, Musician

Received: 12 Dec 2024; Accepted: 29 Apr 2025.

Copyright: © 2025 Yoshie and Morijiri. This is an open-access article distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction in other forums is permitted, provided the original author(s) or licensor are credited and that the original publication in this journal is cited, in accordance with accepted academic practice. No use, distribution or reproduction is permitted which does not comply with these terms.

* Correspondence: Michiko Yoshie, National Institute of Advanced Industrial Science and Technology (AIST), Tokyo, 100-8921, Japan

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