ORIGINAL RESEARCH article
Front. Psychol.
Sec. Psychology for Clinical Settings
This article is part of the Research TopicAdvancing Clinical Psychology: Current Research, Emerging Therapies, and Future PerspectivesView all 11 articles
Music Students' Psychological Profiles: Unveiling Three Coping Clusters Using Schema Mode Inventory
Provisionally accepted- Zurcher Hochschule der Kunste, Zürich, Switzerland
Select one of your emails
You have multiple emails registered with Frontiers:
Notify me on publication
Please enter your email address:
If you already have an account, please login
You don't have a Frontiers account ? You can register here
Background and Aim: Professional musicians face unique psychological demands leading to elevated rates of mental health problems including depression, anxiety, and performance anxiety, as well as stress-related disorders. These difficulties are associated with perfectionism, adverse experiences, and maladaptive coping strategies. While schema modes—recurring emotion, cognitiveon, and behavioral patterns triggered by early maladaptive schemas—are well-studied in clinical populations, their role in musicians remains unexplored. This study explores schema-mode presence in music students to evaluate their utility for understanding psychological vulnerability and coping. Methods: Forty-six music students from Zurich University of the Arts and Basel Music Academy completed an online survey assessing schema modes (short Schema Mode Inventory), musician-specific coping (HIL scale), and self-talk and complaints related to making musicmusic-making via open-ended questions. Analysis included comparisons of effect sizes withto normative summary data from healthy controls and clinical patients, inter-correlations between schema-modes and coping, cluster analysis identifying psychological profiles, and qualitative content analysis. Results: Music students scored significantly higher on maladaptive schema-modes versus nonclinical controls, indicating greater emotional coping difficulties and reduced adaptive resources. Coping capacity correlated negatively with maladaptive modes and positively with the Hhealthy Aadult mode. Scores overlapped with those of Axis I patients but differed from Axis II patients, suggesting intermediate clinical characteristics. Cluster analysis revealed three distinct profiles: "Balanced Musicians" (resilient cluster with high Hhealthy Aadult and /Hhappy Cchild modes and effective coping), "Vulnerable Musicians" (high-risk cluster with intense emotional child modes and frequent maladaptive parent/coping modes), and "Compensating Musicians" (at-risk cluster with intermediate scores and overcompensating strategies mixing combining functional and maladaptive modes). Conclusion: Schema modes appear central to musicians' mental health and coping, highlighting psychological profile heterogeneity among music students. Schema-focused interventions targeting maladaptive modes may enhance resilience and mental health in this population. This approach offers a promising clinical framework for supporting musicians' well-being.
Keywords: musicians, Mental Health, Schema modes, coping strategies, coaching, Psychological profiles, self-talk, resilience
Received: 25 Jul 2025; Accepted: 27 Nov 2025.
Copyright: © 2025 Wenhart and Hildebrandt. This is an open-access article distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction in other forums is permitted, provided the original author(s) or licensor are credited and that the original publication in this journal is cited, in accordance with accepted academic practice. No use, distribution or reproduction is permitted which does not comply with these terms.
* Correspondence:
Teresa Wenhart
Horst Hildebrandt
Disclaimer: All claims expressed in this article are solely those of the authors and do not necessarily represent those of their affiliated organizations, or those of the publisher, the editors and the reviewers. Any product that may be evaluated in this article or claim that may be made by its manufacturer is not guaranteed or endorsed by the publisher.