CORRECTION article
Front. Psychol.
Sec. Performance Science
Volume 16 - 2025 | doi: 10.3389/fpsyg.2025.1707765
This article is part of the Research TopicMusic Performance Anxiety - Volume IIView all 18 articles
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Provisionally accepted- 1Independent researcher, Florianopolis, Brazil
- 2University Of Rochester Department of Psychology, Rochester, United States
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There was a mistake in the Funding statement, an incorrect number was used. The correct number is "2015C03Bd051.". The publisher apologizes for this mistake. The original version of this article has been updated. In the published article, there was a mistake in the Funding statement. The funding statement for the Key Development Project of the Department of Science and Technology was displayed as "2015CBd051". The correct statement is "Key Development Project of Department of Science and Technology (2015C03Bd051).'' Missing citation Wrong In the Introduction, Paragraph 2, the citation for [Kenny 2009] was erroneously written as [Kenny (2011) and Kenny, 2011, p. 433]. It should be [Kenny (2009) and Kenny 2009, p. 433]. The original version of this article has been updated. Missing reference [Kenny, 2009] was not included in the reference list. The reference to include should be: [Kenny, D.T. (2009). Negative emotions in music making: Performance anxiety. In p. Juslin & J. Sloboda (Eds.), Handbook of music and emotion: Theory, research, applications. Oxford, UK: Oxford University Press.] The original version of this article has been updated.
Keywords: music performance anxiety, biopsychosocial model, stress, Stress optimization, review
Received: 17 Sep 2025; Accepted: 08 Oct 2025.
Copyright: © 2025 Twitchell, Journault, Singh and Jamieson. This is an open-access article distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction in other forums is permitted, provided the original author(s) or licensor are credited and that the original publication in this journal is cited, in accordance with accepted academic practice. No use, distribution or reproduction is permitted which does not comply with these terms.
* Correspondence: Adriana Jarvis Twitchell, adrijarvist@gmail.com
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