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SYSTEMATIC REVIEW article

Front. Psychol.

Sec. Cognitive Science

A Meta-Analysis and Systematic Review on Creativity in Schizophrenia: Toward an Ecological Understanding Integrating Clinical and Philosophical Perspectives

Provisionally accepted
  • 1Department of Adult and Childhood Human Pathology “Gaetano Barresi”, Universita degli Studi di Messina, Messina, Italy
  • 2Department of Cognitive Sciences, Psychology, Education, and Cultural Studies, Università degli Studi di Messina, Universita degli Studi di Messina, Messina, Italy
  • 3Department of Child and Adolescent Psychiatry, Psychosomatics and Psychotherapy, Medical Faculty, Aachen, Germany

The final, formatted version of the article will be published soon.

Background: The presumed link between schizophrenia and creativity has long captured the collective imagination, but empirical data paint a more complex picture: while some patients produce extraordinary artistic works, quantitative studies consistently report lower creativity scores in individuals with schizophrenia compared to healthy controls. This contrasts with phenomenological accounts and clinical observations that highlight the expressive power of language and art in conveying the altered subjective experience of schizophrenia. Objective: This study aimed to update the existing evidence on creativity in schizophrenia through a systematic review and meta-analyses, and to assess whether a more fine-grained, ecologically valid approach might offer new insights. Methods: A systematic search of major databases yielded 4,043 studies after duplicate removal. Following PRISMA guidelines and strict inclusion criteria, 15 studies were included in the final qualitative synthesis and 13 in the quantitative meta-analyses. Creativity was analyzed both globally and across four subcomponents: elaboration, flexibility, fluency, and originality. Only tasks explicitly designed to elicit creative production were included. Results: All five meta-analyses showed statistically significant deficits in patients with schizophrenia compared to controls. The strongest effects emerged for overall creativity (d = –0.79), fluency (d = – 0.83), and originality (d = –0.61). Moderator analyses revealed that age was the only significant variable: older patients showed larger deficits, particularly in fluency and flexibility. Other demographic and methodological factors did not account for variability in outcomes. Discussion: These findings confirm and extend prior work, suggesting that creativity is broadly impaired in schizophrenia. However, the consistent directionality of the results also raises critical questions about the ecological validity of standardized tests. Phenomenological and qualitative perspectives point to the importance of subjectivity and lived experience—dimensions often diminished by clinical treatments aimed at restoring shared reality. We call for the development of subjectivity-sensitive assessment tools capable of capturing this complexity. Conclusion: Creativity in schizophrenia remains a multidimensional phenomenon that cannot be fully understood through normative psychometric measures alone. Future research should adopt interdisciplinary approaches and develop novel tools for ecological assessment that are more sensitive to the creative potential of individuals with schizophrenia. Systematic review registration: https://www.crd.york.ac.uk/prospero/, PROSPERO [CRD42024629254].

Keywords: creativity2, ecological assessment4, mad-genius hypothesis5, phenomenology3, schizophrenia1

Received: 02 Jul 2025; Accepted: 06 Feb 2026.

Copyright: © 2026 Pennisi, Longo, Nicotra, Salehienjad, Vicario and Falzone. This is an open-access article distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction in other forums is permitted, provided the original author(s) or licensor are credited and that the original publication in this journal is cited, in accordance with accepted academic practice. No use, distribution or reproduction is permitted which does not comply with these terms.

* Correspondence:
Paola Pennisi
Federica Longo

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