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ORIGINAL RESEARCH article

Front. Psychol.

Sec. Sport Psychology

Transcending Technique: A Theoretical Framework and Empirical Study of Sports Dance Appreciation Behavior Among University Students in Guangzhou

  • Guangzhou University, Guangzhou, China

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Abstract

This study employs empirical methods to investigate the essence of sports dance appreciation behavior among university students in the Guangzhou area. An online questionnaire survey was distributed to 350 students from universities including Sun Yat-sen University and South China University of Technology. Utilizing Principal Component Analysis (PCA) and cluster analysis, this research identified three core dimensions of sports dance appreciation: Intuitive-Emotional, Technical-Analytical, and Formal-Aesthetic. Furthermore, three distinct typologies of appreciators were established: Emotional Resonators (45.1%), Technical Evaluators (30.0%), and Comprehensive Appreciators (24.9%). The findings reveal that the sports dance appreciation behavior of Guangzhou university students exhibits significant subjectivity and diversity, with their appreciation preferences being substantially influenced by regional cultural background and personal experience. The developed Sports Dance Appreciation Experience Scale demonstrated excellent psychometric properties, with PCA revealing a three-factor structure accounting for 79.4% of the total variance. Significant associations were found between appreciation types and demographic variables such as gender, academic major, and prior dance training, highlighting the roles of cognitive style and embodied experience in shaping aesthetic processing. Drawing on art reception theory, aesthetic psychology, and aesthetic education pedagogy, this study constructs a theoretical framework for sports dance appreciation and provides empirical evidence for understanding the aesthetic reception mechanisms of this hybrid art-sport form. These insights offer important implications for designing differentiated aesthetic education strategies and curriculum development in sports dance.

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Keywords

Aesthetic psychology, Appreciation Behavior, Art Reception Theory, Cluster analysis, Principal componentanalysis, Sports dance, university students

Received

20 November 2025

Accepted

16 January 2026

Copyright

© 2026 He. This is an open-access article distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction in other forums is permitted, provided the original author(s) or licensor are credited and that the original publication in this journal is cited, in accordance with accepted academic practice. No use, distribution or reproduction is permitted which does not comply with these terms.

*Correspondence: Yuanmei He

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All claims expressed in this article are solely those of the authors and do not necessarily represent those of their affiliated organizations, or those of the publisher, the editors and the reviewers. Any product that may be evaluated in this article or claim that may be made by its manufacturer is not guaranteed or endorsed by the publisher.

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